스팟 턴 및 스핀 동작 및 기타 베이직을 유심히 살펴 보시면 룸바의 전 휘겨에 도움이 되실 것 같습니다.
* 참고로 외국 인터넷 교육 자료를 보면 턴은 전 카운트의 "&"에 한다고,,,,
Rumba Spot Turns and Switch Turns (참조 자료) | ||||
Leader | ||||
Step | Timing | Movement | Turn | Notes |
1 | 2 | RF fwd (after turning 1/4 to L on preceding "&") in line with LF | 1/4 to L, step RF, | This is Switch Turn to Left. |
Then turn 1/2 to end with RF in the back on "&" | then 1/2 to L | The turn is started at the end of preceding figure. | ||
2 | 3 | Transfer weight to LF | "3&", on "&": turn 1/4 to L | |
3 | 4 1 | RF to side | 1/4 to L over 3-5 | At end of "1": turn to R. |
4 | 2 | LF fwd (after 1/4 to R) in line with RF, | 1/4 to R, step LF, | This is Switch Turn to Right. |
then turn 1/2 to end with LF in the back | then 1/2 to R | The turn is started at the end of preceding figure. | ||
5 | 3 | Transfer weight to RF | on "&", turn 1/4 to R | |
6 | 4 1 | LF to side | 1/4 to R over 3-5 | |
Follower | ||||
Step | Timing | Movement | Turn | Notes |
1 | 2 | LF fwd (after turning 1/4 to R on preceding "&") in line with RF | 1/4 to R, step LF, | This is Switch Turn to Left (because Man is turning L) |
Then turn 1/2 to R to end with LF in the back on "&" | Then 1/2 to R on "&" | End of preceding step on '&', full commit the weight on RF, pressure on LF, tail bone down; quick impulse, turn 1/4 to R. Pay attention to foot position, LF turned out, not turned in (sometimes due to over turning to R on this step.) | ||
Variation: this could be stepping to the side of the partner in CBM. | ||||
Different from New York: Fully commit weight on front foot before doing the half turn to R. (Difference in lead compared to New York) | ||||
Arm option: left hand on waist, or left arm wrap around the back. R arm can be held in front of chest. Hands should not have other extra unintended actions, go directly to waist, pure and simple (if that's the choice). | ||||
On "&" after the turn, compress on left side. (Finishing with hips to the side, then, quick impulse, it will twist to move spine to RF in next step.) | ||||
To achieve the effect of "quick impulse" - sudden action: | ||||
- body turns more continuously at same speed, | ||||
- head: do head spotting and fast changing head direction | ||||
- leg/knee delays the turn a bit and then turn much faster and body and leg arrives at the final position at the same time. | ||||
2 | 3 | Transfer weight on to RF | Coaches do it differently: | |
Some: before "3", there is a moment the R leg is bent, then straighten before stepping on floor. | ||||
Some: Keep R leg straight the whole time. | ||||
Hold this a bit longer and have weight fully transfer to RF (see Latin Technique Swivel Action) and make sure to finish the diagonal pendulum swing before doing twist on '&'. | ||||
On "&", quick impulse, twist, turn 1/4 to R (turn before stepping next step) | ||||
When turning to right, it's Right Side leading. | ||||
Styling: when moving forward, arms would go back (think of wind blowing at the arms.) | ||||
3 | 4 1 | LF to side | 1/4 to R over 3-5 | "4": it's a side step (after the turning to face partner), do not make it a forward step, then turn. |
At end of this step, work RF down to ground, develop the foot more. | ||||
For underarm turn, at the "&": twist L hip, pulling R hip through, R arm will close in front of face (to left side). Keep L shoulder fwd side leading. | ||||
4 | 2 | RF fwd (after 1/4 to L) in line with LF, | 1/4 to L, then 1/2 to L | Switch Turn to Right (Man is turning to R) |
Then turn 1/2 to L ending with RF in the back | The turn is started at the end of preceding figure. | |||
When turning at the end of "2", body is not square, use Left Side Leading. | ||||
If Lady's R arm is connected to Man, Lady will feel R arm closing window. | ||||
Static body design: hands statically on hips while turning and extend arms to side on 41. | ||||
More flexible and fluid design: When turning, L arm extend to the side and as body rotate, arm will warp in front of chest, R hand on hip or R arm wrap around the back. | ||||
For Switch Turns, if Man is still hold Lady's R hand, Lady: Put LH on hip first, (end of previous beat) then raising L arm to side during "2", at beginning of count "3", L arm goes in front of chest. (and Man will be release hold to Lady's RH, Lady's R arm wrap around back.) | ||||
5 | 3 | Transfer weight to LF | on "&", turn 1/4 to L | |
6 | 4 1 | RF to side | 1/4 to L over 3-5 | When followed by underarm turn or Alemana, L arm will be straight out to the side. |
* Spot Turns can be danced as Switch Turns. Start in Closed Position. No hold, or L to R or R to L hand hold. | ||||
* Turning action: could be a Forward Walk Turn action, or a brushing action where the free foot closes to standing foot, brush and then do a fwd walk. | ||||
* Spot Turns: 3 forward steps danced solo by Man and/or Lady, circling to L or R. | ||||
* Different from underarm turn, for spot turns, | ||||
a. count "2": lady turns about 1/8", diagonally "&" RF brush LF | ||||
b. count "3": lady turns about 1/4, RF fwd | ||||
if preferred, the ball of the foot may remain in place while turn is made around this foot. | ||||
c. count "4 1": finish turn to face partner | ||||
last step could be fwd or to side depending on distance between couple. | ||||
* Often, one partner is doing Spot Turn, while the other does Alternative Basic or Cuban Rock, or 3 steps of a Closed Basic. | ||||
* Spot Turn is a good ending for New York, Hand to Hand, Fencing and may other figures. | ||||
* Amount of Turns: complete turn, or 7/8 or 3/4, depending on starting and ending position: open PP, Open CPP, facing partner. | ||||
* Spot Turn or Switch to L (Lady to R) could end in Open Position, taking L to R hand hold at step 3, taking step 3 fwd leading Lady to step back. |
순서이므로 원하시는 영상만 찾아 보시면 됩니다.
0:01 Hip-Hip Chin-Chin
03:05 The Matrix
06:43 Forest Bird
10:05 Angela Rumba (best dress ever!)
14:20 Zorro
18:32 Jive (polka dot dress)
22:42 Hip-Hip Chin-Chin (golden outfit)
26:33 Jive (Max in yellow suit)
29:50 Fire
31:58 Pirates Of The Carribean
35:59 Cha-Cha (green overalls)
38:17 Fire
41:54 In Competition
48:30 Winners Rumba
51:26 Hip-Hip Chin-Chin (golden outfit)
53:33 Spanish Fantasy
56:32 Jive (yellow outfits)
59:44 Hip-Hip Chin-Chin
01:02:47 Hip-Hip Chin-Chin
01:05:26 Sexy (Max & Beata)
01:06:43 Yellow (Max & Beata)
01:10:56 Chaplin (Max & Beata)
01:13:54 Mirage (Max & Beata)
01:18:25 Pump It Up (Max & Beata)
(links over 1 hour don't work)
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